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Andersen Viana
Andersen Viana (Belo Horizonte-Minas Gerais) has a Ph.D. in Music Composition from the Federal University of Bahia, Brazil. He began his activities as a composer at the age of thirteen and as a music professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with: Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S.Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music - Stockholm, UFMG, UFBA), among others.He presently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation – Palácio das Artes in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. He did his first studies with his father – Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos) – and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe.
Viana has received twenty five awards in Argentina, Brazil, Europe and the USA, including the “Prix de Composition” at “First Composition Competition Festin Choral 2013” city of Billère-France, “First Prize” at the “Susanville Symphony Composition Competition 2012” in USA, “First Prize” in the International Contest of Composition ”Lys Music Orchestra 2001” in Belgium, “First Prize” and the “Audience Prize” in the “Lambersart 2006 International Contest of Composition” in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments.
Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
==Ensembles==
Viana has also organised and conducted/directed various vocal and instrumental ensembles, including: "Orquestra Experimental" (1983), "Septheto Rio" (1986), "Coro Pedagógico da FEBEM" (1991), "Coro do Centro de Estudos da Embaixada do Brasil em Roma" (1993), "Coro da Cultura Inglesa BH" (1994), "Trio Barroco" (1994), "Orchestra Virtual" (1995), "Estocolmo Nonet" (1996), “The Duo” (1997), “Coro da SMRU”, “Camerata Primavera” (2003), “A Cigarra e a Orquestra” (2006–2008), and “Coral IOCHPE MAXION”(2009). He has developed diverse musical projects in countries other than Brazil, such as Belgium, Bulgaria, the USA, France, Germany, Greece, Honduras, Italy, Portugal, The United Kingdom, the Czech Republic, Russia, Denmark, and Sweden.
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